


I think what Gleason helped with was making me feel okay with weird, or cookoo, or wild and absurd, hence his theme of sharp items like knives in his paintings. Most of what I like to capture are the small things in life and observations made about the world and people, but when it came to projects I needed or wanted to set up, I felt okay with doing something absurd. The projects always helped me interpret what he assigned differently and shoot it in my perspective.
Here is his website for those of you interested in browsing:
It's funny because when I go back to visit him, he talks about how he'd rather teach painting than photography. Nonetheless, his ability to let students literally do whatever the hell they want, was what was helpful, and is the kind of teaching style I'd want and wanted to do if I decide to teach photography.
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